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English
About the role and significance of coincidence
The balloon in art
Abstract
The article introduces the search based on the theme of the tennis scene presented using text, film and technology, while at the same time outlining the reality approximated by various media. The context of the research refers to examples taken from works of art from the 1960s and 1970s, that is, from the film “Blow-up” (1966) directed by Michelangelo Antonioni, in which the author goes back to the motifs taken from the poetic work of Julio Cortázar’s “Blow-up” (Las babas del diablo, 1959) and the tennis match as presented by Robert Rauschenberg in the implementation of “Open Score” (1966). These works of art are connected by a unique world. What’s interesting to me is the medium-action-mechanism relationship of the action being played, especially with regard to technology and new opportunities. The purpose of these studies and analyses – resulting from the initial originally empirical observation – is to consolidate and describe the identity (nature) of what is observed (the subject) and who is the observer, as well as the interaction between the subject and the observer. How to show that “to play playing” is part of the game? The reason for the search was my own artistic work related to the balloon – an industrial object transferred to the area of creative activity. The first part of the theoretical work deals with the question of the role and meaning of coincidence, the second part is about the balloon in art.
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This work is licensed under a Creative Commons Attribution 4.0 International License.
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