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ART CREATING ART
Paulina Tarara
Creative machines?
Abstract
In the first part of the article I am going to present the definition and the onset of generative art, based on the example of Harold Cohen’s AARON and Simon Colton’s The Painting Fool. In the second part, I am going to describe the contemporary trends in generative art, based on the example of the machine imitating Rembrandt and Elgammal’s Adversarial Network.
Keywords
Berlyne Daniel Ellis ; Cohen Harold ; Colton Simon ; Elgammal Ahmed ; algorytm ; CAN (Creative Adversarial Networks) ; CCN (Convolutional Neural Networks) ; dyskryminator ; GAN (Generative Adversarial Networks) ; generator ; metaalgorytm ; podejście globalne ; podejście lokalne ; system zwrotny ; sztuka generatywna ; widzenie maszynowe ; AARON ; Malujący Błazen ; The Next Rembrandt Berlyne Daniel Ellis ; Cohen Harold ; Colton Simon ; Elgammal Ahmed ; algorithm ; CAN (Creative Adversarial Networks) ; CNN (Convolutional Neural Networks) ; discriminator ; GAN (Generative Adversarial Networks) ; generator ; meta-algorithm ; global approach ; local approach ; feedback system ; generative art ; machine vision ; AARON ; The Painting Fool ; The Next Rembrandt
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